Interview with CHRONICLES OF CHAOS
Tradition Be Damned

by Jackie Smit

One of the unwritten laws of modern-day music (even in the supposedly
open-minded realms of metal) is that a vocalist's primary role lies in
being the band's centre-piece -- the gatekeeper, if you will, for the
group's identity. Very rarely will this law be broken, and even more
rarely will it be ignored successfully. Enter Dysrhythmia: a surge of
pure, undiluted, unconventional musical expression, intent on turning
every norm and tradition on its head -- and judging by the hypnotic dirge
of their Relapse debut _Pretest_, pretty damn good at doing so. Operating
sans vocals, their mixture of math-rock, ambience, noise and dense,
cascading, almost film-like overtures is unique and powerful enough to
convey the band's intended message without the traditional, force-fed
assistance of lyrics. The prime force behind this, one of 2003's most
surprising efforts, is guitarist Kevin Hufnagel -- a man who knows all too
well about having to prove oneself to a cynical audience.

CoC: Instrumental acts -- apart obviously from people like Marty Friedman,
Joe Satriani and so on -- aren't a particularly common thing in modern-day
metal. What sparked the idea among yourselves to do something this
unconventional?

KH: With the exception of one band, I've always played in
unconventional-type bands, and half of them have been instrumental, so I
guess this is the kind of music that interests me most as a musician. I
enjoy the challenge of creating a piece of music that can stand on its
own, convey emotion and be interesting and memorable all at once. I think
our band has nothing to do with a lot of other "instrumental metal" like
the artists you mentioned. Our music is more concerned with dynamics,
rhythm, tension and flow, rather than writing simplistic song forms to
solo over, if you know what I'm saying.

CoC: Relapse Records is the first label to sign you to a deal exceeding
distribution -- did you find yourself confronted by a lot of scepticism
from other labels when you approached them?

KH: Dysrhythmia never really submitted our music or recordings to any
other labels. I would hear from friends in other bands, who were signed,
that they would play our music for their labels and they would all say
"tell them to call us when they get a singer". It's really awesome that
Relapse decided that they wanted to work with us and it was certainly
something I never expected.

CoC: So how did the deal with Relapse come into being?

KH: We played a show in December 2001 here in Philly with Dillinger Escape
Plan and everyone from Relapse was there in the audience. We went over
very well that night with the crowd and they were impressed by us,
especially being a local band, I guess. There were also a few people at
Relapse who were Dysrhythmia fans already for a few years, so that's how
we got noticed.

CoC: On your website (www.dysrhythmiaband.com) you mention several musical influences,
which include avant-jazz and indie rock. Outside of music, what would you
cite as the key influences in the writing and construction of _Pretest_?

KH: A lot of times everyday life works its way into our songs. I think
living in a major city like Philadelphia, the tension of city life and
seeing all the urban decay in parts of town influenced songs like
"Bastard" and "Annihilation" parts 1 and 2. I'm also a huge movie buff and
watch tons of obscure films and extreme cinema. I don't know how much that
really influences our music, consciously, though.

CoC: Because of the absence of a vocalist in your band, do you feel like
Dysrhythmia still provides you with an adequate platform to express
attitudes and emotions that are personal to you, or just general things
that you want to get off your chest?

KH: Yeah, I do. Playing is a great release for me, it's a way to vent. I
don't consider myself very good with words, personally, so expressing
myself through my instrument is important and essential to me. Sometimes a
song title might clue you in on what the song may be about or inspired by
though.

CoC: So what are the key feelings that you feel you've expressed on
_Pretest_?

KH: Certainly a lot of pent-up frustration in songs like "Catalogue of
Personal Faults" and "Bastard". More melancholy feelings in a song like
"Touch Benediction". Songs like "My Relationship" and "Running Shoe of
Justice" are more upbeat-sounding, they make me feel good.

CoC: You've just come off the Contamination tour, where you played with
bands like Mastodon and Cephalic Carnage. What was the reaction like for
Dysrhythmia, given that you differ quite vastly from the aforementioned
acts?

KH: The reaction was extremely positive for the most part. I think a lot
of people were pleasantly surprised, and we were not what they were
expecting at all.

CoC: Do you feel as though you need to adopt a different approach to
performing live, because you don't have a vocalist?

KH: I think it's cool that there isn't any one person standing out front
and centre. When we're performing it's very intense and we aren't reserved
at all in a live setting, and I hear we are fun to watch too.

CoC: _Pretest_ often sounds to me as though it could have been pulled from
a movie score. Is that something the band have considered doing?

KH: I never thought about that with this band. I occasionally record
experimental / ambient guitar music on my own -- though recently not as
much as I used to -- and I always thought that kind of stuff would lend
itself very well to a visual medium. It would be awesome if someone
decided to use some Dysrhythmia in one of their films.

CoC: So if you were offered the chance, what would the ideal movie be for
a Dysrhythmia score?

KH: I don't know... Maybe a Japanese Yakuza film or David Lynch if he
remade "Howard the Duck".

CoC: Tracks like "Annihilation" 1 and 2 create an almost thematic feeling,
which runs throughout the album. Is this just a case of reading too much
between the lines, or is that what you had in mind when you did the
record?

KH: There's definitely no theme running through the record, although if
that's what you thought from listening to it then that's cool. Originally
we had the idea of starting the record with "Annihilation" 1 and ending
with 2, but the way we do it live, with the two of them segueing into each
other, sounds so good we decided to keep it that way.

CoC: What are your aspirations and ambitions for Dysrhythmia?

KH: I try to keep them very simple. Most importantly, I want to continue
to grow musically as a band, to explore some different territories, and
keep it fresh and interesting. Of course I want to keep expanding our
following. This means lots of hard work and touring. I can see our efforts
starting to pay off slowly already, but at the same time I would love to
see it grow much further.

CoC: Well Kevin, thanks a lot for the talk. Any last words for the
Chronicles of Chaos massive?

KH: Come see us live. Cheers!